Kvet Nguyen – Všetko, čo más spája. Príbeh slovenskej vietnamky

9. 11. 2025

On Language

What defines us? Our first names, surnames, upbringing, education, sexuality, appearance, faith, opinion, and nationality – and many others. Most of all, it is language that has the power to unite or divide, to stir up hatred or evoke empathy.

My name and appearance set me apart from the Slovak majority, but they also pose a challenge. I spent a long time reflecting on how formative the names and terms that somehow label us are, and what role language plays here. The book Medzi Slovákmi (Among Slovaks) by Martin M. Šimečka helped me organise my thoughts. In it, the author openly searches for his identity, and I identified with him. One particular sentence stayed with me: “To be born a foreigner in one's own country is an existential paradox.”¹

  1. ŠIMEČKA, Martin M. (2017): Medzi Slovákmi. N Press (Bratislava), p. 7
  2. ŠIMEČKA, Martin M. (2020): »Zákernosť otázky „Kto si?“«, in: STEFANOVIĆ, Olja Triaška: Bratstvo a jednota. Vysoká škola výtvarných umení (Bratislava), p. 161
  3. FANON, Frantz (2021): Černá kůže, bílé masky. tranzit.cz (Praha)

Kvet Nguyen

(Hoa Nguyen Thi) is slovak-vietnamese artist based in Bratislava. Cultural clash of two different realities is the basis for every thinking process and eventually the dominant subject in her works. She completed her master’s degree in photography at the Academy of Fine Arts and Design in Bratislava within she attended interns in Plymouth College of Art in England and the Royal Academy of Art in Netherlands. Her works have been exhibited in slovakian and international context (Soda Gallery, Čepan Gallery, OFF Festival, Nitra Gallery, Karlín Studios in Prague, Galeria Promocyjna, Krakow and at the presentation of photo books in Poznań (2017), and at LIVRE PARIS (2019) in France.